WOODZ Refuses to Follow the Formula with Archive. 1
Written by Samantha Firmin | August 21, 2026
In mainstream Korean music, rock is not often a genre that receives much of the spotlight, especially compared to the overwhelmingly popular K-pop and K-hip-hop scenes. Therefore, when Korean soloist WOODZ went viral back in 2024, breaking chart records held by BTS and NewJeans with his emotional rock ballad “Drowning,” it sent shockwaves throughout the industry. Since the breakout hit, he has made a name for himself as an artist who has masterfully blended various rock subgenres with elements of hip-hop and R&B to create a truly distinctive sound.
His unique artistry was on full display as the singer-songwriter returned to Texas for the second time as part of his ‘2026 World Tour Archive. 1,’ supporting his first full length studio album of the same name. WOODZ explained in an interview with USA Today that the 17-track album is, “basically a collection of my reflections on life, as well as the genres of music that I enjoy.” While his musical tastes might not always be what appeals to the masses, they have allowed him to create art and a performance that feels bold and authentic.
Photos courtesy of Wonderwall
As the night began, WOODZ stepped onto the stage exuding rockstar aura with his electric guitar, shades, slim fitting jeans, a metal-studded belt, and a frilly button down shirt to top off the look. In a fitting start to his set, he performed “Bloodline,” a track that expresses how Rock and roll runs through his veins and makes numerous references, from Bryan Adams’ “Summer of ‘69” to Prince’s “Purple Rain.”
During his first moments speaking to the crowd, he explained how it had been three years since he last performed in Texas, noting that, “it was a good memory.” He expressed his hope that this visit would be just as memorable and was welcomed with enthusiastic cheering and barking from the crowd, an ever so popular trend among fans these days. He responded with a lighthearted, “I love it, thank you so much.” before continuing with the show.
Throughout the two hour performance, he showcased just how far his versatility across genres spans. Within rock alone, he moved from gritty and grunge rock in tracks like “GLASS” and “Human Distinction” to punk-inspired songs like “HIJACK” and “Dirt on my leather,” back to more emotionally charged rock ballads such as “CINEMA.” A standout song was “Stray (비행),” a rap-metal track that begins with a scream and features defiant lyrics like “You can’t control me.” It was a true highlight of WOODZ’s ambition and willingness to experiment as an artist.
WOODZ also made sure to perform fan favorites such as “Love Me Harder,” “Trigger,” and “BUMP BUMP,” which fit a more traditional K-pop formula while still incorporating pop-rock and punk elements. Midway through the set, he switched up the vibes with a sultrier section featuring heavy influences of jazz and R&B, followed by a dedicated portion of the show for his more emotional songs, which he jokingly introduced by asking, “are you guys ready to cry? I’m ready to cry now.”
Photos courtesy of Wonderwall
Beyond having range in the styles of music he produces, WOODZ possesses an incredible vocal range that aids in his ability to fluctuate seamlessly across genres. He has a naturally higher-pitched voice and the ability to effortlessly sustain falsetto notes. He hits the high belts often demanded in rock while also conveying a raw emotional depth that allows for his lyrics to land harder. Despite being nearly five months into his tour, vocally it seemed as if this could have been his opening show.
Texas fans didn’t come to play when it came to bringing and maintaining their own energy throughout the night. During numerous songs, they participated in fun call-and-response moments with the artist and created a beautiful choir during an a cappella rendition of “To My January.” WOODZ was clearly impressed, complimenting the crowd with, “Your guys’ voices are so amazing, you guys are so loud.” He continually expressed his appreciation for his fans, thanking them for taking time out of their week to come see him, and surprised them with a cover of Elvis’ “Jailhouse Rock,” — yet another impressive display of his vocal ability.
He closed out the night in full Texas fashion, donning a custom cowboy hat with his signature “W” logo and shouting a “Yeehaw” for good measure. Somehow, it felt just as natural as everything else he had delivered that evening. WOODZ is an artist who knows his talents, knows what he likes, and knows how he wants to present himself. Despite “Drowning” maintaining a high ranking on the charts, his decision to not simply fall into the mold that would bring greater popularity is admirable. Instead, it has made him a stronger artist — and one who is all the more beloved because of it.
